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Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
When Carlo Curti finished with playing mandolin with his "Spanish Students" in the United States, he organized a new act in Mexico in 1883–1884, the Mexican Typical Orchestra, which performed at the World's Industrial and Cotton Exposition (1885) in New Orleans and then toured the United States. [74] The band included as many as seven bandolóns.
Instruments in this tradition include the Neapolitan mandolin, Roman mandolin, Genovés mandolin and Sicilian mandolin. [33] Similarly, the chart shows a possible blending of the mandolino and colascione to create the longer-necked Florentine mandolin, the Brescian mandolin and the Cremonese mandolin, all which retained the mandola's glued down ...
Generally, in the United States, Gibson F-hole F-5 mandolins and mandolins influenced by that design are strongly associated with bluegrass, while the A-style is associated with other types of music, although it too is most often used for and associated with bluegrass. The F-5's more complicated woodwork also translates into a more expensive ...
Large numbers of mandolins were sold, particularly by the Gibson Guitar Company, which manufactured and promoted a new type of flat-backed mandolin. After a time, the mandolin orchestra craze died out, but the mandolins remained. In the southern United States, they began to be used in the performance of traditional mountain folk music. [2]
Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [3] including the F-5 model mandolin and L-5 guitar.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The Howe-Orme instrument line comprises several models of guitar and an entire line of mandolin-family instruments including mandolin, tenor mandola, octave mandola, and mando-cello. [4] Howe-Orme instruments were among the first to be produced in the United States in multiple sizes analogous to the members of the violin family. These mandolin ...