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In conventional (non-period) orchestras, the highest baroque trumpet parts are usually played on the modern piccolo trumpet, an instrument that provides firm support of range, attack and intonation, while producing a brighter sound – very different from the natural trumpet the composers had in mind.
Today the karnā in Uzbekistan and Tajikistan is a long, mostly cylindrical metal trumpet, and in northern India it is a straight, tapered metal trumpet that can be long and thin or short and wide. It is used in the music of Iran, Tajikistan, and Uzbekistan, where it is considered a national instrument. Varieties of karnay trumpets from Tajikistan.
Natural trumpet players (3 P) Pages in category "Natural horns and trumpets" The following 51 pages are in this category, out of 51 total.
Leonardo da Vinci's diagrams of a trumpet with tone holes and keys (lower left), c. 1480–1518 [1]The idea of applying keys to the natural trumpet, in order to extend its available notes beyond the harmonic series, was first documented by Leonardo da Vinci as a series of annotated diagrams in his notebooks written c. 1480–1518. [1]
Natural brass instruments only play notes in the instrument's harmonic series. These include the bugle and older variants of the trumpet and horn. The trumpet was a natural brass instrument prior to about 1795, and the horn before about 1820 .
The natural trumpet was probably first used as a military instrument in Ancient Egypt. The trumpets depicted by the artists of the Eighteenth Dynasty were short straight instruments made of wood, bronze, copper or silver. According to the Classical writers, the Egyptian trumpet sounded like the braying of an ass.
Since this still lacks scientific confirmation, rampant speculation continues about potential extra-terrestrial theories for these "trumpet noises." But don't count NASA as a UFO-doubter just yet.
It is designed to allow modern performers to imitate the natural trumpet when playing music of that time, so it is often associated with it. The term 'baroque trumpet' is often used to differentiate an instrument which has added vent holes and other modern compromises, from an original or replica natural trumpet which does not. [2]