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"The One That Got Away" peaked at number three on the Billboard Hot 100, with Teenage Dream becoming the seventh album in the 53-year history of the Hot 100 to generate at least six top 10s. The single reached the top of the Billboard Hot Dance Club Songs, Adult Top 40, and Mainstream Top 40 charts.
"The One That Got Away" is a song written by Nathan Winkler, Natasha Bedingfield, Steve Kipner, Andrew Frampton and Michael Tafaro for Bedingfield's 2005 North American debut album Unwritten. The song was backed by remixes by Wamdue and Valentin, was released as a promotional single in the United States in May 2006.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
“The one that got away” seems to fascinate us whenever it involves something precious that was once in hand and then gone—even if it has no real relation to our actual lives. For example ...
"The One That Got Away" is a song co-written and recorded by American country music artist Jake Owen. It is the ninth single of his career, and was released in May 2012 as the third single from his album Barefoot Blue Jean Night. Owen wrote the song with Jimmy Ritchey and Dallas Davidson.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
"The One That Got Away" (Natasha Bedingfield song), 2006 "The One That Got Away" (Katy Perry song), 2011 "The One That Got Away" (Jake Owen song), 2012 "The One That Got Away", a 1976 song by Tom Waits from his album Small Change "The One That Got Away", a 1984 song by Al Stewart from his album Russians & Americans
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...