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Ivan Petrovich Pavlov (Russian: Иван Петрович Павлов, IPA: [ɪˈvan pʲɪˈtrovʲɪtɕ ˈpavləf] ⓘ; 26 September [O.S. 14 September] 1849 – 27 February 1936) [2] was a Russian and Soviet experimental neurologist and physiologist known for his discovery of classical conditioning through his experiments with dogs.
Pavlov's typology of higher nervous activity was the first systematic approach to the psychophysiology of individual differences. Ivan Pavlov's ideas of nervous system typology came from work with his dogs and his realization of individual differences. His observations of the dogs led to the idea of excitation and inhibition in the nervous ...
Classical conditioning occurs when a conditioned stimulus (CS) is paired with an unconditioned stimulus (US). Usually, the conditioned stimulus is a neutral stimulus (e.g., the sound of a tuning fork), the unconditioned stimulus is biologically potent (e.g., the taste of food) and the unconditioned response (UR) to the unconditioned stimulus is an unlearned reflex response (e.g., salivation).
Spontaneous recovery is a phenomenon of learning and memory that was first named and described by Ivan Pavlov in his studies of classical (Pavlovian) conditioning.In that context, it refers to the re-emergence of a previously extinguished conditioned response after a delay. [1]
Pavlov's Dog is classical conditioning, originally experiments using dogs by the Russian physiologist Ivan Pavlov. In 1904, Pavlov was awarded the Nobel Prize for his physiology work. Pavlov's Dog may also refer to: Pavlov's Dog (band), an American band "Pavlov's Dogs", a song by Rorschach "Pavlov's Dawgs", an album by German thrash metal band ...
Ivan Pavlov (Russian: Академик Иван Павлов, romanized: Akademik Ivan Pavlov) is a 1949 Soviet biopic directed by Grigori Roshal and starring Aleksandr Borisov, Nina Alisova and Nikolai Plotnikov. The film portrays the life of the Russian scientist Ivan Pavlov (1849–1936), known for his Pavlov's dog experiments.
A conditioned alimentary reflex was established to the simultaneous application of the tone of a pneumatic tuning-fork, which was considerably damped by being placed within a wooden box coated with wool, and of a visual stimulus of three electric lamps placed in front of the dog in the slightly shaded room (Pavlov 1927: 142–143 [Lecture VIII]).
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