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Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
Josef Albers created the large stained-glass window above the stairs. [1] Dörte Helm, who was a student in the weaving workshop, created a large curtain for the house. [4] Hinnerk Scheper and the mural painting workshop designed the interior color schemes. [1] Marcel Breuer designed the chairs and tables. [1]
For Suger, stained glass became a way to create a glowing, unworldly light ideal for religious reflection. [4] Suger described the finished work at Saint-Denis as "a circular string of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty". [ 3 ]
Also, on Park Island in New Orleans, Ledner designed and built the "Galatoire House", which made use of the client's extensive collection of antique architectural fixtures, especially stained glass that was obtained from a 19th-century convent. The design involved placing the stained glass in irregular orientations, linked together to form a ...
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
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