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Maria Callas Cornélie Falcon. This is a chronological list of sopranos who have performed in operas from classical music of the Western world.The list spans from operatic sopranos active in the first operas of the late 16th century to singers currently performing.
Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
Klänge der Heimat" ("Sounds of my homeland"), also called "Csárdás", is an aria for soprano from act 2 of the operetta Die Fledermaus by Johann Strauss II. It appears in many anthologies of music for soprano singers, and is frequently performed in recitals. It is sung by Rosalinde, disguised as a masked Hungarian Countess, at Prince Orlofsky ...
– Io non chiedo, eterni Dei" (K. 316/300b) is a recitative and aria for soprano and orchestra that Wolfgang Amadeus Mozart wrote for Aloysia Weber. It is famous for including two occurrences of a G 6 , i.e. the G in altissimo above high C , or 1568 Hz by modern concert pitch – according to the Guinness Book of Records , the highest musical ...
The contralto voice in opera and classical music has a range which typically lies between the F below middle C to two Fs above middle C (F5).In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B ♭ s above middle C (B ♭ 5). [1]
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (/ˈɑriə/ Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part ...