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Chanking is a guitar performance technique in funk music that involves both "choking" the guitar neck and strumming the strings percussively to create a distinctive-sounding riff commonly associated with the genre. [1] The technique was popularized by the music of James Brown, later spreading to other genres and performers.
This one-three beat launched the shift in Brown's signature music style, starting with his 1964 hit single, "Out of Sight" and his 1965 hits, "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)". Brown's style of funk was based on interlocking, contrapuntal parts: syncopated basslines, 16th beat drum patterns, and syncopated guitar riffs. [4]
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, [1] Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer. The music has also been quite influential on the M-Base ...
Funk rock is a fusion genre that mixes elements of funk and rock. [1] James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
The addition of Frost, however, was a stylistic shift from Grand Funk's original garage-band-based rock & roll roots to a more rhythm & blues/pop rock-oriented style. With the new lineup, Grand Funk released Phoenix, its sixth album of original music, in September 1972. [16] Cashbox advertisement, March 2, 1974. To refine Grand Funk's sound ...
In 2007, The New York Times stated, "Dumpstaphunk is the best funk band from New Orleans right now." [4]From annual performances at New Orleans' Jazz Fest — "The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever" (Bass Player magazine, 2012) [5] — to music rooms and festivals across the nation (Bonnaroo ...
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He played a Gibson Firebird guitar on most of his early 1960s work, later moving on to use a Gibson ES-335. On recordings such as The Supremes' "No Matter What Sign You Are", Willis performed on a Coral sitar. He accepted an offer from Phil Collins to perform on his album of Motown and 1960s soul classics, Going Back.