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Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
The poem, like many of Oliver St. John Gogarty 's humorous verses, was written for the private amusement of his friends. In the summer of 1905, he sent a copy to James Joyce, then living in Trieste, via their common acquaintance Vincent Cosgrave. Joyce and Gogarty had quarreled the previous autumn, and Cosgrave presented the poem as a peace ...
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day.
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
The Poem of the Man-God (Italian title: Il Poema dell'Uomo-Dio) is a work on the life of Jesus Christ written by Maria Valtorta. The current editions of the work bear the title The Gospel as Revealed to Me. The work was first published in Italian in 1956 and has since been translated into many languages.
Pound wrote the poem as a direct response to what he considered inappropriately effeminate portrayals of Jesus, comparing Jesus—a "man o' men"—to "capon priest(s)"; [1] he subsequently told T.P.'s Weekly that he had "been made very angry by a certain sort of cheap irreverence". [2]
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to support such a claim (Rumble 385).
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...