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Canon 50mm lenses have an EF type mount that fits the Canon EOS line of cameras. When pairing a 50mm lens to a Canon DSLR with an APS-C sized sensor, the crop factor effectively turns the 50mm focal length into an 80mm field of view. Seven EF 50mm lenses have been sold by Canon: f / 1.0L USM [4] (discontinued, replaced by f / 1.2L USM) f / 1.2L ...
On a Nikon DX format DSLR, a 50 mm lens is cropped to the angle of a view of a short telephoto lens (~75 mm equivalent; field-of-view crop is 1.54). Prime lenses can be cheaper and easier to manufacture than zoom lenses, and may have better optical characteristics compared with zoom lenses of comparable price.
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view. Even some new fixed-lens cameras like the Sony ZV-1 II are switching from a standard zoom lens to a wider zoom lens that covers ...
The Sony FE 50mm F1.8 is a standard full-frame prime lens for the Sony E-mount, released by Sony in 2016. The lens is one of Sony's first budget lens offerings for the 50mm focal length. Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view ...
However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera). Conversely, the same lens can ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...