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Front and rear views of a Canon EF50mm f/1.4 USM. The EF 50mm lenses are a group of normal prime lenses made by Canon that share the same focal length.These lenses are based on the classic double-Gauss lens, [1] with the f/1.8 being a standard six-element double-Gauss with an air gap and powers between element 2 and 3 [1] and its faster cousins adding additional elements. [2]
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view. Even some new fixed-lens cameras like the Sony ZV-1 II are switching from a standard zoom lens to a wider zoom lens that covers ...
On a Nikon DX format DSLR, a 50 mm lens is cropped to the angle of a view of a short telephoto lens (~75 mm equivalent; field-of-view crop is 1.54). Prime lenses can be cheaper and easier to manufacture than zoom lenses, and may have better optical characteristics compared with zoom lenses of comparable price.
The Canon TS-E 50 mm f / 2.8L MACRO is a tilt-shift prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus.
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera). Conversely, the same lens can ...