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The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
Contralto range: The contralto voice is the lowest female voice. A true operatic contralto is rare, [citation needed] so much so that often roles intended for contraltos are performed by mezzo-sopranos. The typical contralto range lies between F3 (the F below middle C) to F5 (the second F above middle C).
A type of classical female singing voice whose vocal range is the lowest female voice type Subcategories ... Ann Boleyn (singer) Toni Braxton; Anna de Brémont;
Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar to the tenor; Tenor: the highest male voice, B 2 (2nd B below middle C) to A 4 (A above Middle C), and possibly ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.