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A Paterson System 4 developing tank. A developing tank is a light-tight container used for developing film. [1] A developing tank allows photographic film to be developed in a daylight environment. This is necessary because most film is panchromatic and therefore can not be exposed to any light during processing. [2]
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
Minolta 16 II, 1960 Minolta 16 QT, 1972 Minolta 16 P, 1960. Minolta 16 refers to a line of 16mm subminiature cameras made by Minolta between 1955 and 1974. The negative size was 10x14 mm for the earlier models, later, a larger format, 12x17 mm was adopted, using single-perforated 16 mm film.
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One ...
In 1911 the major American film studios returned to using nitrate stock. [5] More amateur formats began to use acetate-based film, and several, including Kodak's own 16 mm format, were designed specifically to be manufactured with safety base. Kodak released Cine Negative Film Type E in 1916 and Type F (later known as Negative Film Par Speed ...
Panavision 35mm movie camera. The lighter color unit on top of the camera is the camera magazine, which can be removed to be reloaded by the clapper loader. A camera magazine is a light-tight chamber or pair of chambers designed to hold film and move motion picture film stock before and after it has been exposed in the camera.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Aatoncode was one of the earliest schemes for encoding a timecode signal in the frame margins of 16mm film, allowing rigorous synchronization of audio and film in post-production. As of January 2015, the camera line [ 2 ] offers the 16mm Xterà (along with its still used predecessors the XTR Prod [ 3 ] ), the A-Minima (a small camcorder-sized ...