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Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. [1] It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand.
The 1938 Kodak cassette holding 25 feet (7.6 m) of Double-Eight film was taken by the Filmo Auto-8 in 1940. [citation needed] The firm added microfilm products in 1946. In 1954, Bell & Howell purchased DeVry Industries' 16mm division. [9]
In motion pictures, Kodak's Kodacolor brand was originally associated with an early lenticular (additive color) color motion picture process, first introduced in 1928 for 16mm film. [1] The process was based on the Keller-Dorian system of color photography.
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures.
Motion Picture camera films are produced in 8mm, 16mm and 35mm. In addition to Camera films listed below a number of motion picture technical stocks are also produced e.g. inter-negatives, duplication sound and final print films, together with the process chemicals. [172] Camera Films Black & White Negative Stock Kodak Double X 5222/7222
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