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Only stressed syllables can alliterate (though "stressed" includes any syllable that counts as an upbeat in poetic meter, [15] [16] such as the syllable long in James Thomson's verse "Come . . . dragging the lazy languid line along".) The repetition of syllable-initial vowels functions as alliteration, regardless of which vowels are used. [17]
A closed syllable, which ends with one or more consonants, like bird, takes about the same amount of time as a long vowel. [43] In the older Germanic languages, a syllable ending with a short vowel could not be one of the three potentially alliterating lifts by itself.
Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, [2] as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other ...
Chronogram: a phrase or sentence in which some letters can be interpreted as numerals and rearranged to stand for a particular date; Gramogram: a word or sentence in which the names of the letters or numerals are used to represent the word; Lipogram: a writing in which certain letter is missing Univocalic: a type of poetry that uses only one vowel
This means that there is a word or syllable in the second half-line, which will alliterate with one or more important words or syllables in the first half-line. These alliterated words or syllables will have more stress. [10] Consonants will always alliterate with consonants, but a vowel is allowed to alliterate with any other vowel.
Alliteration frequently overlaps with assonance, which is defined by one dictionary as "a resemblance in the sounds of words or syllables, either between their vowels (e.g. meat, bean) or between their consonants (e.g. keep, cape)". [28]
"In literature, alliteration is the conspicuous repetition of identical initial consonant sounds" "Some literary experts accept as alliteration the repetition of vowel sounds" So, for those literary experts who don't accept alliteration as repetition of vowel sounds, this means that "always avoid alliteration" isn't a fumblerule. There might ...
All rhymes in a strophe can be linked by vowel harmony into one assonance. Such stanzas can be found in Italian or Portuguese poetry, in works by Giambattista Marino and Luís Vaz de Camões: Giunto a quel passo il giovinetto Alcide, che fa capo al camin di nostra vita, trovò dubbio e sospeso infra due guide una via, che’ due strade era partita.