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Collectors became so enamored of the new art that some were accused of deliberately smashing valuable pottery so it could be repaired with the gold seams of kintsugi. It is also possible that a pottery piece was chosen for deformities it had acquired during production, then deliberately broken and repaired, instead of being trashed. [2]
Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and then reassembled. Some have been discovered intact in tombs.
The history of ceramic repair is vast and ranges from different methods and methodologies. For example, in 16th century China, people would repair broken ceramics by using pieces from other objects to disguise the patch. A sixteenth-century manuscript describes the process of patching broken ceramics:
A 3,500-year-old clay jar at the Haifa Museum was broken to pieces by a five-year-old boy, sparking outrage. The post “A Disaster Waiting To Happen”: 5-Year-Old Breaks 3,500-Year-Old Bronze ...
The few ways that clay pottery can be damaged is by being broken, being abraded or by coming in contact with fire. [13] The process of making a pot and firing it is fairly simple. The first thing a potter needs is clay. Attica's high-iron clay gave its pots an orange color. [14]
“There’s like a place in my mind that I can’t get near with all of the pain and grief. It’s like the door in my house to my daughter’s room – I just can’t go anywhere near it.”
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The François Vase may have been made for a symposium given by a member of an aristocratic family in Solonian Athens (possibly for a special occasion, such as a wedding), then broken and, after being carefully repaired, sent to Etruria, perhaps as an instance of elite-gift exchange. [3]