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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Yūri-kinsai (釉裏金彩) is a gold leaf-application technique used in Japanese pottery and porcelain. It forms a transparent overglaze on gilded porcelain. [1] Yūri-kinsai is a complicated under look technique. It uses two kinds of gold leaf that consists of one thick and one thin layer.
Kinrande porcelain bowl, red enamel, gilding, by Eiraku Hozen, Kyoto. Edo period, c. 1830 – c. 1850. Kinrande (金襴手, literally "gold brocade") is a Japanese porcelain style where gold is applied on the surface and there are a number of variations.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Ko-Kiyomizu (old Kiyomizu) lidded brazier (te-aburi) with paulownia and geometric design, stoneware with overglaze enamels and gold, Edo period, 18th century. Kiyomizu ware (清水焼, Kiyomizu-yaki) is a type of Kyō ware traditionally from Gojōzaka district near Kiyomizu Temple, in Kyoto. The history of Kiyomizu ware dates back to the ...
Kinjō Higashiyama ware (金城東山焼) refers to a type of Japanese pottery that was originally produced in Nagoya, central Japan. It was originally called just Higashiyama ware (東山焼) but in order to avoid confusion with other pottery of the same name and kanji spelling the name Kinjō ("Golden Castle", another name for Nagoya Castle ...
The Six Ancient Kilns (六古窯 Rokkoyō) is a category developed by Koyama Fujio (小山富士夫 1900–1975) in the post-war period to describe the most noteworthy ceramic kilns of Japan. [1] The six kilns are: [2] Bizen ware (備前焼, Bizen-yaki), produced in Bizen, Okayama