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His music integrates a wide variety of styles, including funk, rock, R&B, new wave, soul, psychedelia, and pop. Juliet Prowse (1941–1996), South African-American dancer who was famous for dancing, acting, and singing in many American motion pictures, including G.I. Blues along with Elvis Presley.
Roy Acuff Grand Ole Opry star for 50 years, "King of Country Music". Jenny Lou Carson, the first female to write a No. 1 Country Hit (1945) "You Two-Timed Me One Time Too Often". Patsy Montana, the first female Country singer to sell 1 million records. Girls of the Golden West, one of the first Country music duo groups.
The honky-tonk style of country music remained heavily popular during the decade, and the late 1950s gave rise to the Nashville sound. [ 6 ] Blues music was highly influential to popular music in the 1950s, having directly influenced rock & roll, and many blues and rhythm & blues artists found commercial success throughout the 1950s, such as ...
These are lists of Billboard magazine's "Top Country & Western Records" and "Top Country & Western Artists" for 1950, ranked by retail sales and juke box plays. Hank Snow's "I'm Movin' On" was 1950's No. 1 country hit based on retail sales and ranked No. 4 based on juke box plays. [1]
Hank Snow had lengthy runs at the top of all three charts with "I'm Movin' On".. In 1950, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys.
Western swing, country boogie, and, with a smaller audience, jump blues were popular on the West Coast throughout the 1940s and into the 1950s when they were renamed and marketed as rock and roll in 1954. [citation needed] Dancers danced "a 'swingier' more smooth and subdued" form of jitterbug to Western swing music. [7]
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
Jay & The Americans; The Ames Brothers [1]; The Andrews Sisters; Dave Appell & the Applejacks; Harold Melvin & the Blue Notes; The Bell Notes; Bill Haley & His Comets