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The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
For the drawing Eve ('The Nightmare'), Gauguin started by coating a sheet of paper with printers ink, then placing a blank sheet on top which becomes the artwork. [5] Markings made with various drawing instruments to create an artwork on one side of the sheet, also transfer the printers ink to the back side of the sheet.
Pouncing (Italian Spolvero) is an art technique used for transferring an image from one surface to another using a fine powder called pounce. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel.Support is technically distinct from the overlaying ground, [1] but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.
Watercolour and oil transfer on paper, on cardboard 1923 Diavolo Player: 32.7 x 22.9 Philadelphia Museum of Art: Watercolour and oil transfer on paper, on board 1923 Captive Pierrot: 39.7 x 30.2 Detroit Institute of Arts: Oil transfer, watercolor, and ink on paper 1923 Architecture: 58 x 39 Alte Nationalgalerie, Berlin 1923 Vor dem Blitz: 28 x 31.5
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