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A typical false door to an Egyptian tomb. The deceased is shown above the central niche in front of a table of offerings, and inscriptions listing offerings for the deceased are carved along the side panels. Louvre Museum. A false door, or recessed niche, [1] is an artistic representation of a door which does not function like a real door. They ...
False door and architrave of Ptahspepses. From the Tomb of Ptahshepses at Saqqara, Egypt. Old Kingdom, 5th Dynasty, 25th century BCE. British Museum. Ptahshepses was an ancient Egyptian official at the end of the Fourth and the beginning of the Fifth Dynasty.
This chamber is approached through the mastaba tomb's false door. [2] Mereruka's mastaba tomb boasts vibrant and well preserved tomb decorations and numerous relief scenes. [7] His mastaba tomb remained hidden from view until it was discovered and excavated by Jacques de Morgan, of the Egyptian Antiquities Service in 1892. [4]
In the tomb of Hesy-re, the so-called false doors in which the deceased are portrayed standing or walking appear for the first time. Furthermore, the tomb of Hesy-re is the first of its kind in which a full offering list appears, which would become an essential part of the tombs in later generations (as for example in the mastabas of ...
[47] [48] Hermann Kees thought the fifteen doors were related to the sed festival and indicated its duration as being half a lunar month. [48] The remaining doors are known as false doors, and were meant for the king's use in the afterlife. They functioned as portals through which the king's ka could pass between life and the afterlife. [51]
Here, at the back, two limestone blocks were found: A false door styled as a palace-façade and, above it, the low relief of Nyibunesu. [4] The Egypt Exploration Fund presented those pieces to the British Museum right after they were found, in 1898. [11] Both are now displayed together in Room 4 (Egyptian Sculpture).
The 3.60 m long, 1.45 m wide and 3.16 m high chamber contained two false doors in the west wall, which offerings were placed in front of. Behind the false door was the serdab, a small room which was completely walled off, in which the ka-statue of the tomb's owner was located. However, Hermann Junker was not able to locate the Ka-statue of ...
Both halls contained red granite false doors, scenes of animal-sacrifice, offerings and offering-bearers, priests performing rituals, and the owner of the chapel seated before a table receiving those offerings. [32] Scenes from the offering-hall are direct copies of those present in the Pyramid of Pepi II, from the end of the Sixth Dynasty. [71]