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Ma rigpa is the opposite of rigpa or knowledge. Ma rigpa is ignorance, delusion or unawareness, the failure to recognize the nature of the basis. An important theme in Dzogchen texts is explaining how ignorance arises from the basis or Dharmata , which is associated with ye shes or pristine consciousness. [ 13 ]
He thought this idea misleadingly framed Chinese learning as in opposition to Western learning. [21] In 1987, Zhang introduced the idea of "cultural view of comprehensive innovation". He proposed that “the Chinese nation is the main body of building a new socialist Chinese culture, and socialism is the guiding principle of China's new culture.
The Book of Serenity Chinese: 從容録; pinyin: cóngrónglù, also known as the Book of Equanimity or more formally the Hóngzhì Chánshī Guǎnglù Chinese: 宏智禪師廣錄, has a longer version of this koan, which adds the following to the start of the version given in the Zhaozhou Zhenji Chanshi Yulu.
Among Chinese dissidents and critics of the Chinese government, it's popular [according to whom?] to express internalized racist sentiments which are based on anti-Chinese sentiment, promoting the usage of pejorative slurs (such as shina or locust), [63] [64] [65] or displaying hatred towards the Chinese language, people, and culture.
On Contradiction (simplified Chinese: 矛盾 论; traditional Chinese: 矛盾論; pinyin: Máodùn Lùn; lit. 'To Discuss Contradiction') is a 1937 essay by the Chinese Communist revolutionary Mao Zedong. Along with On Practice, it forms the philosophical underpinnings of the political ideology that would later become Maoism.
The Doctrine of “Hsin-Hsing” The doctrine that the manifesto claims is most neglected by Western Sinologists is the “concentration of mind on an exhaustive study of the nature of the universe.” [14] This is the basis of all theories related to Chinese culture, and with a full grasp of “Hsin-Hsing” (literally “mind-nature ...
They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting. The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues , such as uprightness, purity, humility, and perseverance ...
The birthplaces of notable Chinese philosophers from the Hundred Schools of Thought during the Zhou dynasty A traditional source for this period is the Records of the Grand Historian by Sima Qian . Its autobiographical section describes several schools of thought.