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  2. Moanin' (song) - Wikipedia

    en.wikipedia.org/wiki/Moanin'_(song)

    "Moanin '" has a call and response melody. [1] One account of its creation was given by Benny Golson, the tenor saxophonist in Blakey's band: Timmons had the opening eight bars, which he often played between tunes, but formed the complete song only after Golson encouraged him to add a bridge. [3]

  3. Baritone saxophone - Wikipedia

    en.wikipedia.org/wiki/Baritone_saxophone

    The baritone sax is an important part of military bands and is common in musical theater. Horn sections with baritone saxophone were used on many rock-and-roll hits of the 1950s, several Motown hits of the 1960s featured baritone saxophonist Mike Terry, and the instrument continued to be used in horn sections in American rock and pop music. It ...

  4. Moanin' - Wikipedia

    en.wikipedia.org/wiki/Moanin'

    Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958, and released on Blue Note later that year. [ 2 ] Background

  5. List of concert works for saxophone - Wikipedia

    en.wikipedia.org/wiki/List_of_concert_works_for...

    Quiet City for trumpet, alto saxophone, B ♭ clarinet (doubling bass clarinet), and piano (1939)—Aaron Copland; Quartet No. 1 for Trumpet, Tenor Saxophone, Piano and Percussion (1950/1954)—Stefan Wolpe [59] All Set for alto saxophone, tenor saxophone, trumpet, trombone, bass, piano, vibraphone, and percussion (1957)—Milton Babbitt [60]

  6. List of compositions for saxophone, piano and percussion

    en.wikipedia.org/wiki/List_of_compositions_for...

    Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.

  7. Alto clarinet - Wikipedia

    en.wikipedia.org/wiki/Alto_clarinet

    The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]