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In keeping with Westergaard's characteristic "concern with fundamental methodological questions", [1] ITT begins with a discussion of what it is that a theory of tonal music consists of. The conclusion reached is that it is a "logical framework in terms of which we understand tonal music"– [ 2 ] the operative words being "we understand".
In music cognition and musical analysis, the study of melodic expectation considers the engagement of the brain's predictive mechanisms in response to music. [1] For example, if the ascending musical partial octave "do-re-mi-fa-sol-la-ti-..." is heard, listeners familiar with Western music will have a strong expectation to hear or provide one ...
A modified version of MUSIC, denoted as Time-Reversal MUSIC (TR-MUSIC) has been recently applied to computational time-reversal imaging. [11] [12] MUSIC algorithm has also been implemented for fast detection of the DTMF frequencies (Dual-tone multi-frequency signaling) in the form of C library - libmusic [13] (including for MATLAB ...
The law has also been interpreted as "a pitch corresponding to a certain frequency can only be heard if the acoustical wave contains power at that frequency." [7] These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their frequency.
Music is a type of sound that has some stable frequencies in a time period. Music can be produced by several methods. For example, the sound of a piano is produced by striking strings, and the sound of a violin is produced by bowing. All musical sounds have their fundamental frequency and overtones. Fundamental frequency is the lowest frequency ...
In music theory, the spiral array model is an extended type of pitch space. A mathematical model involving concentric helices (an "array of spirals"), it represents human perceptions of pitches, chords, and keys in the same geometric space. It was proposed in 2000 by Elaine Chew in her MIT doctoral thesis Toward a Mathematical Model of Tonality ...
In regard to what is noise as opposed to music, Robert Fink in The Origin of Music: A Theory of the Universal Development of Music claims that while cultural theories view the difference between noise and music as purely the result of social forces, habit, and custom, "everywhere in history we see man making some selections of some sounds as ...
In music, tension is the anticipation music creates in a listener's mind for relaxation or release. For example, tension may be produced through reiteration, increase in dynamic level, gradual motion to a higher or lower pitch, or (partial) syncopations between consonance and dissonance.