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In Cuba, these dances were influenced by African rhythmic and dance styles and so became a genuine fusion of European and African influences. [4] The danzón developed in 1879, and has been an important root for Cuban music up to today. Its precursor is the habanera, which is a creolized Cuban dance form.
Juego de maní ('game of peanut') often simply called maní or mani, sometimes referred to as baile de maní ('dance of peanut') or bambosa, [1] is a stick-fighting martial art and dance that was developed in Cuba by African slaves. It is still kept alive today in Cuba by folkloric groups. Practitioners are referred to as maniseros. [2]
Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha ; the religion of Congolese origin is known as Palo , as in palos del monte . [ 11 ]
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work.
Harry Belafonte, a Jamaican-American pop-calypso singer in 1954. Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music).
Tumba francesa is a secular Afro-Cuban genre of dance, song, and drumming that emerged in Oriente, Cuba.It was introduced by slaves from the French colony of Saint-Domingue (which would later become the nation of Haiti) whose owners resettled in Cuba's eastern regions following the slave rebellion during the 1790s.
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Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based coros de clave.