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La técnica cubana, often abbreviated as técnica, is a form of Cuban contemporary dance that was founded by Ramiro Guerra Suarez in Cuba in 1959. [1] Unlike other forms of traditional Cuban dance, técnica fuses many different dance forms together, such as those from Africa, Europe, and North America. It is a highly expressive and robust dance ...
In Cuba, these dances were influenced by African rhythmic and dance styles and so became a genuine fusion of European and African influences. [4] The danzón developed in 1879, and has been an important root for Cuban music up to today. Its precursor is the habanera, which is a creolized Cuban dance form.
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres , derived from the Spanish guitar .
Tumba francesa is a secular Afro-Cuban genre of dance, song, and drumming that emerged in Oriente, Cuba.It was introduced by slaves from the French colony of Saint-Domingue (which would later become the nation of Haiti) whose owners resettled in Cuba's eastern regions following the slave rebellion during the 1790s.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Juego de maní ('game of peanut') often simply called maní or mani, sometimes referred to as baile de maní ('dance of peanut') or bambosa, [1] is a stick-fighting martial art and dance that was developed in Cuba by African slaves. It is still kept alive today in Cuba by folkloric groups. Practitioners are referred to as maniseros. [2]
In general, steps are kept compact and the dance is danced generally without any rise and fall; this is the modern ballroom technique of cha-cha-cha (and other Latin dances). For international ballroom competitions, the World Dance Council requires the cha-cha-cha music to be played at a tempo of 30 bars per minute , [ 12 ] the World DanceSport ...
Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha ; the religion of Congolese origin is known as Palo , as in palos del monte . [ 11 ]