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Socialist Realism was the official doctrine of art produced in the Soviet Union, through which the emerging medium of film took prominence. The doctrine mandated an idealized depiction of society under socialism , with Soviet film of the era conforming to standards approved by the First Congress of Soviet Writers.
The Most Important Art: Soviet and East European Film After 1945. Berkeley, CA: University of California Press. ISBN 9780520361430. Passek, Jean-Loup, ed. (1981). Le cinéma russe et soviétique. Paris: Centre national d'art et de culture Georges Pompidou. ISBN 978-2-86425-026-5. OCLC 8765654.
This is the list of highest-grossing films in the Soviet Union, in terms of box office admissions (ticket sales). It includes the highest-grossing films in the Soviet Union (USSR), the highest-grossing domestic Soviet films, [1] the domestic films with the greatest number of ticket sales by year, [2] and the highest-grossing foreign films in the Soviet Union. [3]
Soviet parallel cinema is an offshoot of the film movement that overrun the 1960s and 1970s in India called New Indian Cinema – alternatively known as Indian New Wave or parallel cinema. [ 3 ] [ 2 ] Similarly to its Soviet counterpart, it maintained a focus on offbeat productions that dealt with real world representations of society including ...
Lev Vladimirovich Kuleshov (Russian: Лев Владимирович Кулешов; 13 January [O.S. 1 January] 1899 – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. [1] He was given the title People's Artist of the RSFSR in 1969.
Lost film On the Red Front: На красном фронте: Lev Kuleshov: Aleksandra Khokhlova, Lev Kuleshov, Leonid Obolensky, A. Reich: Adventure: Story of Seven Who Were Hanged: Рассказ о семи повешенных: Pyotr Chardynin, Nikolai Saltykov: Dora Chitorina, Nikolai Saltykov, Yakov Morin, Karl Tomsky, Sergei Tsenin ...
After the Imperial Academy of Arts was liquidated, the Higher Art School continued to operate in Petrograd. Initially, the school was renamed the Free Art School, and from October 1918, the Petrograd State Free Art Training Workshops. In 1922, the workshops were transformed into the Higher Art and Technical Institute . [1]
This film is Alexei German's solo directorial debut which took a philosophical approach to the Soviet usage of "heroes" and "traitors". Screenplay by A. German and Eduard Y. Volodarsky (1941-2012), the film is based on the novel of his father (Operatsiya "S Novym Godom", or Operation "Happy New Year"), Yuri German (1910-1967), a Soviet novelist ...