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  2. Print Gallery (M. C. Escher) - Wikipedia

    en.wikipedia.org/wiki/Print_Gallery_(M._C._Escher)

    Lithograph Print Gallery by M. C. Escher, 1956. Print Gallery (Dutch: Prentententoonstelling) is a lithograph printed in 1956 by the Dutch artist M. C. Escher.It depicts a man in a gallery viewing a print of a seaport, and among the buildings in the seaport is the very gallery in which he is standing, making use of the Droste effect with visual recursion. [1]

  3. Belvedere (M. C. Escher) - Wikipedia

    en.wikipedia.org/wiki/Belvedere_(M._C._Escher)

    Belvedere is a lithograph print by the Dutch artist M. C. Escher, first printed in May 1958. It shows a plausible-looking belvedere building that is an impossible object , modelled after an impossible cube .

  4. M. C. Escher - Wikipedia

    en.wikipedia.org/wiki/M._C._Escher

    Maurits Cornelis Escher (/ ˈ ɛ ʃ ər /; [1] Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in ...

  5. Cube with Magic Ribbons - Wikipedia

    en.wikipedia.org/wiki/Cube_with_Magic_Ribbons

    Escher's interest in reversible perspectives, as seen in Cube with Magic Ribbons, can also be noted in an earlier work, Convex and Concave, first printed in 1955. [ 2 ] Although the cube framework in Cube with Magic Ribbons by itself is perfectly possible, the interlocking of the "magical" bands within it is impossible.

  6. Category:Works by M. C. Escher - Wikipedia

    en.wikipedia.org/wiki/Category:Works_by_M._C._Escher

    Pages in category "Works by M. C. Escher" The following 39 pages are in this category, out of 39 total. ... Print Gallery (M. C. Escher) Puddle (M. C. Escher) R ...

  7. Still Life with Spherical Mirror - Wikipedia

    en.wikipedia.org/wiki/Still_Life_with_Spherical...

    Self-portraits in reflective spherical surfaces can be found in Escher's early ink drawings and in his prints as late as the 1950s. The metal bird/human sculpture is real and was given to Escher by his father-in-law. This sculpture appears again in Escher's later prints Another World Mezzotint (Other World Gallery) (1946) and Another World (1947).