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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Unlike the rococo style, the ornament was usually restrained, symmetrical and balanced. In the early period of the style, the designs were often inspired by French versions of Chinese art, animals, especially monkeys ( Singerie ) and arabesques, or themes taken from works of the artists of the period, including Jean Bérain the Younger ...
Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which was frequent feature of Rocaille decoration. [7]
Rococo painting represents the expression in painting of an aesthetic movement that flourished in Europe between the early and late 18th century, migrating to America and surviving in some regions until the mid-19th century. The painting of this movement is divided into two sharply differentiated camps.
In the late, second style of Louis XV, after 1750, the tables lost the rococo curves and took on classical (or imagined classical) details, including table legs in the form of Doric columns; griffon paws and lion paws on the feet;, trophies of arms, friezes, and figures of nymphs, tripods and horns of plenty.
There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others. The Gothic and Rococo revival style were the most common styles to be seen in furniture during this time in ...
His son François de Cuvilliés the Younger (* 24 October 1731 in Munich; † 10 January 1777 there) was also an architect and an assistant to his father. After the death of the latter, he became a deputy master-builder to the Electoral court at Munich. His work at first was in his father's Rococo style, but later led to Neoclassicism.
Rawson, Jessica, Chinese Ornament: The lotus and the dragon, 1984, British Museum Publications, ISBN 0-7141-1431-6; Tabbaa, Yasser, The transformation of Islamic art during the Sunni revival, I.B.Tauris, 2002, ISBN 1-85043-392-5, ISBN 978-1-85043-392-7, google books; James Trilling The Language of Ornament