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  2. Impasto - Wikipedia

    en.wikipedia.org/wiki/Impasto

    Still Life: Vase with Pink Roses (1890) is an oil painting by Van Gogh which makes extensive use of the impasto technique. Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas ...

  3. Matter painting - Wikipedia

    en.wikipedia.org/wiki/Matterism

    Matter painting (French: Haute Pâte, lit. 'thick paste') also known as Matterism refers to a style of painting that emphasizes the material qualities of paint through heavy impasto . The style marked a return to impulses characteristic of abstract expressionism.

  4. List of art techniques - Wikipedia

    en.wikipedia.org/wiki/List_of_art_techniques

    Van Gogh - The Starry Night by Vincent Van Gogh - an example of impasto technique and line structure. [4] Illusionistic ceiling painting; Impasto; Intaglio (printmaking) technique; Ink wash painting technique

  5. Na Hye-sŏk - Wikipedia

    en.wikipedia.org/wiki/Na_Hye-sŏk

    Na uses the impasto painting technique in this work, which is a style in which visible brushstrokes of thick paint are used to create clear paint streaks on top of the canvas. By doing so, she is able to capture the fleeting moments when the wind blows the peonies to a blur in the foreground.

  6. Still life paintings by Vincent van Gogh (Paris) - Wikipedia

    en.wikipedia.org/wiki/Still_life_paintings_by...

    Wet paint is placed into wet paint without waiting for successive applications to dry, producing softer edges and an intermingling of colour. Van Gogh integrated Pointillism techniques in Imperial Fritillaries in a Copper Vase (F213). [30] Vase with Zinnias and Geraniums (F241) is an example of impasto application of paint. [44]

  7. Jean-Paul Riopelle - Wikipedia

    en.wikipedia.org/wiki/Jean-Paul_Riopelle

    His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I ...