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The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
The presence of the outer frame is a compositional expedient, present in Flemish art but also cited by Leon Battista Alberti, to objectify the space of the representation, distancing it and distinguishing it from the spectator. The "cell" of the writing desk appears perfectly organised, with its furniture, shelves, and other minute objects ...
Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]
Stained glass in Gothic France had extravagant and intricate works of art, being one of the most important aspects of Gothic cathedrals. The art was created primarily for the Christian era, a period in history where there was a Christian influence on art, and was made to highlight biblical events.
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
The gilded frame, designed by Friedrich and formed by the sculptor Christian Gottlieb Kühn , includes other Christian iconography. At the base, the Eye of God is within a triangle with wheat and a vine, symbols of the Eucharist. Travelling up the frame, Gothic columns support palm branches from which five angels emerge, with a star above the ...
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