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The popular MPV, xine and VLC media players use it as their main, built-in decoding engine that enables playback of many audio and video formats on all supported platforms. It is also used by the ffdshow tryouts decoder as its primary decoding library. libavcodec is also used in video editing and transcoding applications like Avidemux ...
In hardware, audio codec refers to a single device that encodes analog audio as digital signals and decodes digital back into analog. In other words, it contains both an analog-to-digital converter (ADC) and digital-to-analog converter (DAC) running off the same clock signal. This is used in sound cards that support both audio in and out, for ...
FAAD2 – open-source decoder for Advanced Audio Coding. There is also FAAC, the same project's encoder, but it is proprietary (but still free of charge). libgsm – Lossy compression ; opencore-amr – Lossy compression (AMR and AMR-WB) liba52 – a free ATSC A/52 stream decoder (AC-3) libdca – a free DTS Coherent Acoustics decoder
The decompression algorithm reverses these stages. The noise-floor approach gives Vorbis its characteristic analog noise-like failure mode when the bitrate is too low to encode the audio without perceptible loss. The sound of compression artifacts at low bitrates is similar to reverberations in a large space.
Matrix decoding is an audio technology where a small number of discrete audio channels (e.g., 2) are decoded into a larger number of channels on play back (e.g., 5). The channels are generally, but not always, arranged for transmission or recording by an encoder, and decoded for playback by a decoder.
MPEG Audio Decoder (MAD) is a GPL library for decoding files that have been encoded with an MPEG audio codec. [2] It was written by Robert Leslie and produced by Underbit Technologies. It was developed as a new implementation, on the ISO/IEC standards.
Relative to FLAC, Apple Lossless Audio Codec, or WavPack, Monkey's Audio is slow to encode or decode files. While Monkey's Audio can achieve high compression ratios, [3] the cost is a dramatic increase in requirements on the decoding end. Many older portable media players, and even older smartphones, have difficulty handling this.
MPEG-2 and MPEG-4 AAC-LC decoders without SBR support will decode the AAC-LC part of the audio, resulting in audio output with only half the sampling frequency, thereby reducing the audio bandwidth. This usually results in the high-end, or treble, portion of the audio signal missing from the audio product.