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El Filibusterismo (transl. The filibusterism ; The Subversive or The Subversion , as in the Locsín English translation, are also possible translations), also known by its alternative English title The Reign of Greed , [ 1 ] is the second novel written by Philippine national hero José Rizal .
Scene from Ang Kababaihan ng Malolos (2014), filmed in the Uitangcoy-Santos ancestral house. In 2010, the house of Alberta Uitangcoy was declared a national heritage house by the National Historical Commission of the Philippines. [39] It houses the Museo ng mga Kababaihan ng Malolos (English: Malolos Women's Museum). [40] [41]
Both novels were translated into opera by the composer-librettist Felipe Padilla de León: Noli Me Tángere in 1957 and El filibusterismo in 1970; and his 1939 overture, Mariang Makiling, was inspired by Rizal's tale of the same name. [178] Ang Luha at Lualhati ni Jeronima is a film inspired by the third chapter of Rizal's El filibusterismo. [179]
Ang Luha at Lualhati ni Jeronima (The Sorrow and Happiness of Jeronima) is a 2018 Philippine short film by CJ Santos [1] and inspired by the third chapter of Dr. Jose Rizal's El Filibusterismo. It is one of the finalists for the 2018 Wisik Short Film Competition [ 2 ] by the National Commission for Culture and the Arts .
Makamisa (English: After Mass) is an unfinished novel by Filipino patriot and writer José Rizal.The original manuscript was found by historian Ambeth Ocampo in 1987 while going through a 245-page collection of papers.
José Rizal's essay, El Amor Patrio, was featured in the Diariong Tagalog on August 20, 1882. Del Pilar translated it into Tagalog language, Ang Pagibig sa Tinubúang Lupà (Love for the Native Land). [56] [57] [58] Diariong Tagalog later experienced financial difficulties and on October 31, 1882, the newspaper ceased publication. [59]
In the novel, María Clara is regarded as the most beautiful and celebrated lady in the town of San Diego. A devout Roman Catholic, she became the epitome of virtue; "demure and self-effacing" and endowed with beauty, grace and charm, she was promoted by Rizal as the "ideal image" [1] of a Filipino woman who deserves to be placed on the "pedestal of male honour".
Francisco Alonso Liongson (July 1, 1896 – May 14, 1965) was a Filipino writer and playwright. He was born into an Ilustrado family from Pampanga, Philippines at the turn of the 20th century and raised with the revolutionary values of an emerging Philippine identity which held freedom, justice, honor, patriotism and piety sacred.