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The Pendleton Civil Service Reform Act is a United States federal law passed by the 47th United States Congress and signed into law by President Chester A. Arthur on January 16, 1883. The act mandates that most positions within the federal government should be awarded on the basis of merit instead of political patronage.
Political Order and Political Decay: From the Industrial Revolution to the Globalisation of Democracy is a 2014 book by American political scientist Francis Fukuyama. The book follows Fukuyama's 2011 book, The Origins of Political Order , written to shed light on political institutions and their development in different regions.
Patronage – Also known as the spoils system, patronage was the policy of placing political supporters into appointed offices. Many Jacksonians held the view that rotating political appointees in and out of office was not only the right, but also the duty of winners in political contests.
In politics and government, a spoils system (also known as a patronage system) is a practice in which a political party, after winning an election, gives government jobs to its supporters, friends , and relatives as a reward for working toward victory, and as an incentive to keep working for the party.
Advowson (/ ə d ˈ v aʊ z ən /) [1] or patronage is the right in English law of a patron (avowee) to present to the diocesan bishop (or in some cases the ordinary if not the same person) a nominee for appointment to a vacant ecclesiastical benefice or church living, a process known as presentation (jus praesentandi, Latin: "the right of presenting").
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The Manual covers motions, procedures, vote requirements, the rules of order, principles, precedents, and legal basis behind parliamentary law used by legislatures. The author, Paul Mason (1898–1985), was a scholar who worked for the California State Senate.
From the ancient world onward, patronage of the arts was important in art history.It is known in greatest detail in reference to medieval and Renaissance Europe, though patronage can also be traced in feudal Japan, the traditional Southeast Asian kingdoms, and elsewhere—art patronage tended to arise wherever a royal or imperial system and an aristocracy dominated a society and controlled a ...