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Power Hit Radio; Broadcast area: Lithuania: Frequency: Vilnius 95.9 FM Kaunas 91.0 FM Klaipėda 96.7 FM Šiauliai 89.7 FM Panevėžys 87.9 FM Telšiai 100.0 FM Utena 93.9 FM Alytus 88.3 FM Marijampolė 87.6 FM: Programming; Format: CHR / dance / trance: Ownership; Owner: TV3 Group (Baltics) (Providence Equity Partners) Links; Website ...
Backdoor progression (front door is V7) ii– ♭ VII I: 3: Major Bird changes: I vii ø –III7 vi–II7 v–I7, IV7 iv– ♭ VII7 iii–VI7 ♭ iii– ♭ VI7, ii V7 I–VI7 ii–V: 20: Major Chromatic descending 5–6 sequence: I–V– ♭ VII–IV: 4: Mix. Circle progression: vi–ii–V–I: 4: Major Coltrane changes: Coltrane changes in ...
I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:
Saulės Radijas (Šiauliai 102.5 FM) XXL FM (Telšiai 96.8 FM, Šiauliai 88.8 FM, Plungė 99.5 FM) Pulsas (Panevėžys 96.6 FM and Biržai 107.3 FM) Utenos Radijas (Utena 103.9 FM) FM 99 (Alytus 99.0 FM and Druskininkai 97.2 FM) Kapsai (Marijampolė 100.2 FM) Tauragės Radijas (Tauragė 98.2 FM) Mažeikiai FM (Mažeikiai 105.6 FM)
The LRT Radijas News has its correspondents not only in the largest cities of Lithuania, but also in regions. It is the only radio news service with such an extensive network of associates abroad – from the United States to Russia.
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Typical boogie woogie bassline on 12 bar blues progression in C, chord roots in red Play ⓘ.. In music, a rewrite rule is a recursive generative grammar, which creates a chord progression from another.
I−vi−ii−V is one of the most common chord progressions in jazz. [5] The progression is often used [6] as a turnaround, occurring as the last two bars of a chorus or section. [7] The I−vi−ii−V chord progression occurs as a two-bar pattern in the A section of the rhythm changes, [8] the progression based on George Gershwin's "I Got ...