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While most of Motown's backing musicians were African American, and many originally from Detroit, the Funk Brothers included white players as well, such as Messina (who was the featured guitarist on Soupy Sales's nighttime jazz TV show in the 1950s), Brokensha (originally from Australia), Coffey, and Pittsburgh-born Babbitt.
Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, [1] such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows ...
Session musicians are usually not permanent or official members of a musical ensemble or band. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings.
The Wrecking Crew, also known as the Clique and the First Call Gang, was a loose collective of American session musicians based in Los Angeles who played on many studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized at the time, but were viewed with reverence by industry insiders ...
The same year, he also sang backing vocals on the self-titled Crowded House album. [19] In 1987, Satriani's second album, Surfing with the Alien, produced radio hits and was the first all-instrumental release to chart so highly in many years. The track "Crushing Day" was featured on the soundtrack of a low-budget film titled It Takes Two. [20]
Further, the critic explained that "this tour found guitarists Derek Trucks and Doyle Bramhall ll backing Clapton and, more importantly, pushing him out of his comfort zone. But it's the material, six tracks resurrected from Layla and Other Assorted Love Songs with Trucks substituting for Duane Allman, that puts this over the top." Horowitz ...