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Etruscan vase painting was produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting, and followed the main trends in style over the period. Besides being producers in their own right, the Etruscans were the main export market for Greek pottery outside Greece ...
Oil on canvas. Dimensions. 58.0 cm × 45.5 cm (22.8 in × 17.9 in) Owner. Private collection. Vase with White and Red Carnations is a work by Vincent van Gogh. It is an oil on canvas painting in a private collection, painted in the summer of 1886 in Paris. [1] The painting depicts white and red carnation flowers in a gold and dark brown vase.
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Chalk paint. Upcycled steamer trunk painted with chalk paint and topcoated with clear and dark wax. Chalk paint is a water-based, decorative paint invented by Annie Sloan which may be applied over almost any surface. It requires very little preparation and needs a topcoat to avoid flaking. Chalk paints are also used by utility companies to mark ...
Flowers in a glass vase on a partly draped stone ledge is a circa 1667 floral painting by Nicolaes van Verendael in the collection of the Suermondt-Ludwig-Museum. [1] Early history and creation [ edit ]
Dutch and Flemish. Known for. Painting. Movement. Baroque. Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch still life painter and art dealer. [1] He is recognised as one of the earliest painters who created floral still lifes as an independent genre. [2]
Glass of Absinthe and a Carafe (F339) was made by Van Gogh in a café. On the table sits a glass of absinthe, its green-yellow liquid lighter for window's sunlight and in contrast to the brown background. The painting catches a moment in the café from a patron's perspective, with a view of pedestrians walking on the street.
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.