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The song was written by Aguilera and Linda Perry, with the latter producing the song. After giving birth to her son Max, Aguilera looked to "come up with something new and fresh", developing a "futuristic" era of her career. "Keeps Gettin' Better" is an electroclash and electropop song, and was inspired by the likes of Andy Warhol and Goldfrapp.
Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers. According to Rodney Payton, "early in the movement, the term 'Futurism' was misused to loosely define any sort of avant-garde effort; in English, the term was used to label a composer whose music was ...
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
The upbeat instrumentals and the chorus with lyrics like “I’m walking on sunshine and don’t it feel good” makes this ‘80s song worth playing over and over again. Listen Here 21.
The song samples the bass line from Meat Beat Manifesto's "Radio Babylon" with Lisa Gerrard's vocal from "Dawn of the Iconoclast" by Dead Can Dance. [3] Cobain described the sampling choices stating that the "Radio Babylon" bass line was "one of the greatest within the culture" while the bass line in "Papua New Guinea" was "kind of a staccato sampled version."
Two Mahershala Alis are better than one in a sci-fi-flavored drama about a dying man evaluating his options. Review: Futuristic drama 'Swan Song' showcases Mahershala Ali — twice Skip to main ...
"Filthy" was revealed as the first single the day after Man of the Woods was confirmed. Timberlake, Timbaland and Danja first collaborated on FutureSex/LoveSounds.All three artists co-wrote the song along with James Fauntleroy, who co-wrote all songs on The 20/20 Experience and all but two songs on The 20/20 Experience – 2 of 2 and Larrance Dopson of production team 1500 or Nothin'.
From the liner notes: "Ingenious use of echo, artificial reverberation and electronic alterations gives the music in this category a weird, spooky futuristic, 'out of this world' quality, well-suited to super-natural happenings of any kind. Piano, drums and electronic instruments are used to achieve the strange atmosphere and spatial sounds."