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Greg Marinovich (born Gregory Sebastian Marinovich, 8 December 1962) is a Pulitzer-awarded South African photojournalist, filmmaker, photo editor, and member of the Bang-Bang Club. [ 1 ] [ 2 ] He co-authored the book The Bang-Bang Club: Snapshots from a Hidden War (2000), which details South Africa's transition to democracy .
In 2000, Marinovich and Silva published The Bang-Bang Club: Snapshots from a Hidden War (2000), a book documenting their experiences. Marinovich said that the group did not see themselves as a club in the way outside observers regarded them, writing in the preface "The name gives a mental image of a group of hard-living men who worked, played and hung out together pretty much all of the time.
Greg Marinovich of Associated Press, For a series of photographs of supporters of South Africa's African National Congress brutally murdering a man they believed to be a Zulu spy. Feature Photography: William Snyder of The Dallas Morning News, For his photographs of ill and orphaned children living in subhuman conditions in Romania.
A North Carolina husband killed his wife and confessed to the murder in a chilling Facebook post before turning the gun on himself in a bizarre murder-suicide. George Lesniak fatally shot his wife ...
Plains Township police officers responded just before 9 a.m. to a report of shots fired in a residential neighborhood, where they discovered 50-year-old James Goy and his 48-year-old wife, Lisa ...
Photo collage featuring desaturated images of a couple, who are Ashley and Doug Benefield. Overlayed between these photos are scraps of paper in white and red, as well as a dark silhouette of a ...
Kevin Carter (13 September 1960 – 27 July 1994) [1] was a South African photojournalist and member of the Bang-Bang Club.He was the recipient in 1994 of a Pulitzer Prize for his photograph depicting the 1993 famine in Sudan; he died by suicide four months after at the age of 33.
According to fellow war photographer Greg Marinovich, Carter saw the trip as an opportunity to fix some problems "he felt trapped in". To take photos in Sudan was an opportunity for a better career as freelancer, and Carter was apparently "on a high, motivated and enthusiastic about the trip". [4]