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Inferno (alternatively known as Desert Heat) [1] is a 1999 American action film directed by John G. Avildsen, and starring Jean-Claude Van Damme, Danny Trejo, Pat Morita, Gabrielle Fitzpatrick, and David "Shark" Fralick. This was the last film directed by Avildsen before his death in 2017.
Inferno is a 1980 Italian supernatural horror film written and directed by Dario Argento, and starring Irene Miracle, Leigh McCloskey, Eleonora Giorgi, Daria Nicolodi, and Alida Valli. The plot follows a young man's investigation into the disappearance of his sister, who had been living in a New York City apartment building that also served as ...
Inferno is a 2001 28-minute-long sci-fi film directed by Paul Kousoulides, featuring UK cult actress/presenter Emily Booth. Plot. Set inside a "Quake" like video ...
L'Inferno. L'Inferno (transl. The Hell) is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film. [2] It is also one of the first films to be shown in its entirety. [3]
Inferno is a 2016 American action mystery thriller film directed by Ron Howard and written by David Koepp, loosely based on the 2013 novel of the same name by Dan Brown. It is the sequel to The Da Vinci Code (2006) and Angels & Demons (2009), and is the third and final film in the Robert Langdon film series .
In a positive review, Time Out Film Guide called the film, "A tight and involving essay in suspense which works on the ingenious idea of leaving the audience alone in the desert with an unsympathetic and selfish character," and noted the finer aspects of the 3-D film, writing, Inferno was one of the best and last movies to be made in 3-D during ...
Inferno (also released as Operation Cobra) is a 1997 American film directed by Fred Olen Ray starring Don Wilson, Deepti Bhatnagar and R. Madhavan. Evan Lurie, Michael Cavanaugh and Tané McClure appear in other pivotal roles. This is Madhavan's first credited role.
The film features several innovative and practical lighting techniques. Most notably in the psychedelic climax of the film, rotating lighting rigs were placed in-front of the camera and actors. The final effect created the illusion of the actors' faces transitioning between emotions, and personalities.