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The song, as sung by the Corley Family (in a style that might be called "folk-primitive")can be heard on-line. [1] More recently it has been recorded by a number of different Gospel quartets, and it is still the theme song of the Stamps Quartet. A version of the song was recorded in 2000 by James Blackwood. [2]
The song's title is a reference to the unrelated song "Outside a Broken Phone Booth with Money in My Hand" by Bruce Cockburn, from his 1978 album, Further Adventures Of. [5] [6] Primitive Radio Gods frontman Chris O'Connor stated that he was struggling to name his new song, so he picked up Further Adventures Of and adapted the title "Standing Outside a Broken Phone Booth with Money in My Hand ...
Lyrically, this political song is about demoting national government back to local tribal society. [1] Every choruses begin with 'Back to the Primitive', except for the first line of lyric Um, dois, treis, quatro ("one, two, three, four" in Portuguese) to begin the song, and verses containing just "primitive" per line.
The Primitives returned to the studio with original producer Paul Sampson, recording the EP Never Kill a Secret, [2] featuring two original songs — the title track and "Rattle My Cage" — and two cover versions of lesser-known female-fronted songs — "Need All the Help I Can Get" (written by Lee Hazlewood and originally recorded by Suzi ...
"Let Me Call You Sweetheart" is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910 and was a huge hit for the Peerless Quartet in 1911. A recording by Arthur Clough was very popular the same year too. [1] A 1924 recording identifies a Spanish title, "Déjame llamarte mía".
Sheet music version. Massa's in De Cold Ground (1852) is a song by Stephen Foster. The song was included in the book 55 Songs and Choruses for Community Singing, published in 1917. According to the book, it is one of the most graceful of Stephen C. Foster's melodies. It also has a simple harmonic structure, characteristic of Foster's compositions.
The Golden Gate Jubilee Quartet spoke (or sermonized) the lyrics of the song against a rhythm of back-up vocals. It was a moderate hit in 1943. It was a moderate hit in 1943. It has since appeared on several compilation records, including Gospel Greats: 60 Legendary Performances (The Soho Collection, 2005).
The first track of Primitive is "Back to the Primitive", which plays berimbau to begin the song and the album. [3] "Back to the Primitive" is one of three singles released from the album, others were "Son Song" and "Jumpdafuckup". "Jumpdafuckup" features Corey Taylor of Slipknot and Stone Sour on vocals, as well as sludgy guitar riffs. [3] "