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The icon is considered by Orthodox Christians to be the patroness of Jerusalem. The commonly-held story regarding the origins of the Panagia Ierosolymitissa is that it miraculously appeared in the year 1870. This story became popular due to a leaflet released by the Greek Orthodox Patriarchate of Jerusalem verifying it. [19]
This category relates to religious Eastern Orthodox icons, icon painting, and icon painters. Subcategories. This category has the following 6 subcategories, out of 6 ...
The Panagia Ierosolymitissa icon (Greek: Παναγία Ιεροσολυμίτισσα) or the All-Holy Lady of Jerusalem icon of the Mother of God is an acheiropoieton located in the Tomb of Mary in Gethsemane in Jerusalem. The icon is considered by Orthodox Christians to be the patroness of Jerusalem. [1]
Theophanis Strelitzas (Greek: Θεοφάνης Στρελίτζας; 1490–1559), also known as Theophanes the Cretan (Θεοφάνης ὁ Κρής, pronounced Theophanes O Krees) or Theophanes Bathas (Θεοφάνης Μπαθᾶς) was a Greek painter of icons and frescos in the style of the Cretan School.
In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing. [ 1 ] Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity , and that it has been a continuous tradition since then.
This icon has been described as, "perhaps the most arresting and enigmatic" icon of the Palaeologan period. [20] The Poganovo icon, like the icon in Bachkovo Monastery, is compositionally similar to the older Latomos icon. Unlike the icon of Latomos, the Poganovo icon is not a mosaic, but painted on a wood panel with tempera paint.