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Garth Cartwright, "Yma Sumac – Peruvian-born singer marketed in the US as an Inca princess", obituary in The Guardian, November 16, 2008. Carolina A Miranda, "On the trail of Yma Sumac: the exotica legend comes from Peru but her career was all Hollywood" in The Los Angeles Times of March 23, 2017. Accessed 2017-04-19.
These words are related to a particular genre of music (hint: they deal with "names" that are spelled a little differently). Related: 300 Trivia Questions and Answers to Jumpstart Your Fun Game Night
Voice of the Xtabay is the first studio album by Peruvian soprano Yma Sumac. It was released in 1950 by Capitol Records. It was produced and composed by Les Baxter, along with Moisés Vivanco and John Rose. Sumac sings on the album, accompanied by ethnic percussion and musical variations influenced by the music of Peru. [2]
Completely fabricated. Getting back to Yma, I think the three octave thing currently cited on the article is fair. The tessitura of most her songs only rarely lies more than a note or two outside of three octaves. Skotoseme | Talk. In "Chuncho", Yma uses a range from E2 to C#7, which is nearly 5 octaves. Yma has insisted her range is B1 to A6.
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The film also featured the Peruvian singer Yma Sumac as Kori-Tica. [8] The female lead was to have been played by Viveca Lindfors. However, after the positive response to Nicole Maurey's performance in Little Boy Lost Paramount gave her the role. [9] Thomas Mitchell was signed to play the villain. [10] Studio filming started in October 1953. [11]
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