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The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity).
The JH-24 Series of Multitrack Tape Recorders was produced from 1980 to 1988 and was the successor to MCI's JH-16 Series. With the JH-24, MCI kept the JH-114 series transport and completely redesigned the audio electronics by implementing a transformless design utilizing differential amplification for the line inputs, line outputs, and head ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Both used a 2-inch (51 mm) tape transport design adapted from the video recording division. The 16-track MM-1000 quickly became legendary for its tremendous flexibility, reliability and outstanding sound quality. This brought about the "golden age" of large format analog multitrack recorders which would last into the mid-1990s.
The DA-88 was a digital multitrack recording device introduced by the TASCAM division of the TEAC Corporation in 1993. This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [1]
TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio ...