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The JH-24 Series of Multitrack Tape Recorders was produced from 1980 to 1988 and was the successor to MCI's JH-16 Series. With the JH-24, MCI kept the JH-114 series transport and completely redesigned the audio electronics by implementing a transformless design utilizing differential amplification for the line inputs, line outputs, and head ...
The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity).
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
The DA-88 was a digital multitrack recording device introduced by the TASCAM division of the TEAC Corporation in 1993. This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [1]
The Ampex ATR-124, though still widely regarded as the most accurate and best sounding multitrack ever produced, was a financial disaster for Ampex, resulting in only 62 being produced. Base price for these recorders in 1980 was $48,500 for the sixteen track machine and $62,500 for the 24 track machine.
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