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The Theaetetus is one of the few works of Plato that gives contextual clues on the timeline of its authorship: The dialogue is framed by a brief scene in which Euclid of Megara and his friend Terpsion witness a wounded Theataetus returning on his way home after from fighting in an Athenian battle at Corinth, from which he apparently died of his wounds.
For Plato, every logos was either true or false and in a logos, names included rhema which denotes actions and onoma a mark set on those who do the actions. [3] Aristotle identified three components as central to the proposition: onoma, rhema and logos. These terms are translated differently depending on the context of the discussion—grammar ...
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
Plato, Computer Generated Audio Book(s) – English translation by Benjamin Jowett, – Internet Archive, Community Audio, mp3 (64kp/128kp/Ogg Vorbis) (in English) Plato, Ancient Greek, – Poesia Latina, Greco interattivo (in Ancient Greek) Schofield, Malcolm (edt); translations by Tom Griffith (2009).
This famous aphorism used to characterize Heraclitus' thought comes from Simplicius, a Neoplatonist, and from Plato's Cratylus. The word rhei (ρέι, cf. rheology) is the Greek word for "to stream"; according to Plato's Cratylus, it is related to the etymology of Rhea. πάντοτε ζητεῖν τὴν ἀλήθειαν