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Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...
Vivaldi, Op. 2, 12 Violon Sonatas. Antonio Vivaldi wrote a set of twelve sonatas for violin and basso continuo, Op. 2, in 1709. First published by Antonio Bortoli in Venice in 1709 (in movable type), the collection was later reprinted by Estienne Roger (who became Vivaldi's main publisher) in Amsterdam around 1712/13. [1] [2] Sonata No. 1 in G ...
For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)
La stravaganza [literally 'Extravagance'] (The Eccentricity), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, [ 1 ] who had been a violin student of Vivaldi's. [ 2 ]
Title page of the first edition. L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711.
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
When Vivaldi worked in Venice, the cello sonata became a popular genre. Benedetto Marcello had composed six cello sonatas in a similar style shortly before Vivaldi. Eleanor Selfridge-Field writes: "the impetus for Vivaldi to write these works at such a late age may have come from the general popularity of the cello sonatas of the 1730s, or perhaps from the specific example of Marcello, who ...