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The show focuses on an anthropomorphic, yellow, rectangular mouse-like creature named Wubbzy, who has various antics with his friends: Widget, a rabbit-like creature who can build; Walden, a bear-like creature who is a brainiac; and since the second season, Daizy, a dog-like creature who loves flowers.
Wah-Wah is a 2005 comedy-drama film written and directed by Richard E. Grant in his directorial debut. Loosely based on his childhood in Swaziland , it stars Nicholas Hoult , Gabriel Byrne , Emily Watson , Miranda Richardson and Julie Walters .
Wow! Wow! Wubbzy! is an American animated television series created by Bob Boyle. It ran for a total of 52 episodes over two seasons. Each episode includes a short and a music video. In addition to the regular episodes, a TV movie called Wubbzy's Big Movie! premiered on Starz Kids & Family on August 29, 2008.
Wubbzy's Big Movie! is a 2008 American animated comedy anthology film based on the Wow! Wow! Wubbzy! television series. It premiered on the Starz Kids & Family channel on August 29, 2008. The film was produced by Starz Media and Bolder Media in association with Film Roman and distributed by Starz Distribution.
However, when famous news reporter Jann Starl (voiced by real-life Jann Carl) [1] interviews Wubbzy and points out that he’s going to perform in front of a huge audience, Wubbzy begins to have stage fright, so his friends try to help cure his stage fright backstage before the show starts. The Wubb Girlz tell him they feel better whenever they ...
Bolder Media, Inc. (also known as Bolder Media for Boys and Girls or simply Bolder Media) is an American production company that is a joint venture between Frederator Studios and Mixed Media Group.
Charles "Skip" Pitts (April 7, 1947 – May 1, 2012) was an American soul and blues guitarist. He is best known for his distinctive "wah-wah" style, prominently featured on Isaac Hayes' title track from the 1971 movie Shaft.
"Wah-Wah" was the first song Harrison played live as a solo artist when he performed it as his opener for the Western-music portion of the Concert for Bangladesh, in August 1971. Viewed by some commentators as superior to the studio recording, this version re-created Spector's Wall of Sound treatment in a live setting, using many of the ...