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Qajar art refers to the art, architecture, and art-forms of the Qajar dynasty of the late Persian Empire, which lasted from 1781 to 1925. The boom in artistic expression that occurred during the Qajar era was the fortunate side effect of the period of relative peace that accompanied the rule of Agha Muhammad Khan and his descendants.
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
Parvaneh Etemadi (born 1948; [2] Persian: پروانه اعتمادی) is an Iranian visual artist. She is a painter, [3] draftsperson, printmaker, and collagist. [4] [5] She is mostly known for her still life drawings on a cement support. [6] Etemadi is a renowned female artist in her country, Iran, [7] but is also known internationally.
Tehran Museum of Contemporary Art, (Persian: موزه هنرهای معاصر تهران), also known as TMoCA, is among the largest art museums in Tehran and Iran. It has collections of more than 3,000 items that include 19th and 20th century's world-class European and American paintings, prints, drawings and sculptures.
Yusuf and Zulaikha (Joseph chased by Potiphar's wife), by Behzād, 1488. A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa.
Shahroudy was born on January 13, 1922, to educated parents in the religious city of Qazvin, north-western Iran. [5] Farmanfarmaian acquired artistic skills early on in childhood, receiving drawing lessons from a tutor and studying postcard depictions of Western art. [5]
Safavid art is the art of the Iranian Safavid dynasty from 1501 to 1722, encompassing Iran and parts of the Caucasus and Central Asia. It was a high point for Persian miniatures , architecture and also included ceramics, metal, glass, and gardens.
Jahan-e No, a special issue of drawings, including drawings done in 1972, Tehran, 1973. Ardeshir and Stormy Winds, with an introduction by Ali Asghar Haj-Seyed-Javadi, including drawings from 1967 to 1973, Tous Publications, Tehran, 1973. Ardeshir Mohassess: Art and Satire in Iran, Asia Society, 2008