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The Biblical lyrics reference Lamentations 3:22-23. [2] The song was exposed to wide audiences after becoming popular with Dr. William Henry Houghton of the Moody Bible Institute and Billy Graham, who used the song frequently on his international crusades. [3]
The Book of Lamentations (Hebrew: אֵיכָה, ʾĒḵā, from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. [1] In the Hebrew Bible , it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs , Book of Ruth , Ecclesiastes , and ...
[3] Over the three days, therefore, the responsories, like the readings, came to a total of 27. Since the polyphonic Lamentations were an important musical genre in their own right, many collections (such as Victoria's Officium Hebdomadae sanctae 1585) include only the 18 Responsories of the second and third nocturns.
According to Galit Hasan-Rokem, Lamentations Rabbah was composed in Roman Palestine "approximately in the middle of the first millennium C.E.". [2]: xi Leopold Zunz concluded that "the last sections were added later" and, furthermore, "that the completion of the whole work must not be placed before the second half of the seventh century," because the empire of the Arabians is referred to even ...
Midrash Rabba or Midrash Rabbah can refer to part of or the collective whole of specific aggadic midrashim on the books of the Torah and the Five Megillot, generally having the term "Rabbah" (רבה ), meaning "great," as part of their name. These midrashim are as follows: Genesis Rabbah; Exodus Rabbah
The Five Scrolls or the Five Megillot (Hebrew: חמש מגילות [χaˈmeʃ meɡiˈlot], Hamesh Megillot or Chomeish Megillos) are parts of the Ketuvim ("Writings"), the third major section of the Tanakh (Hebrew Bible). [1]
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
In Lamentations 1, 2 and 4, the destruction of Jerusalem is lamented, while chapters 3 and 5 express a confession of guilt and a prayer for turning the misery. In his selection, Mauersberger omitted the confession. [6] His way to arrange the texts is understandable due to his state of mind after the bombing of Dresden. [3]