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The traditional kolo is a circle dance, a relatively simple dance common throughout other Slavic countries in which dancers follow each other around the circle. Due to emigration, Croatian folk dance groups are prevalent throughout the diaspora , most notably the United States , Canada , Australia, and Germany .
The most significant features of the khorovod dance is to hold hands or the little finger of the partners while dancing in a circle. The circle dance symbolised in ancient Russian culture "moving around the sun" and was a pagan rite with the meaning of unity and friendship. The female organizer or leader of the dance was called khorovodnitsa.
Dancing tradition in Serbia is represented by various styles of dance, commonly called Kolo. The word originates from the Slavic word meaning a 'wheel,' circle, or circuit. Kolo is a collective dance, where dancers hold each other's hands in either a V or W formation, making a chain or a union.
Traditional dance costumes vary from region to region. Bordering regions are mostly more similar to each other. [7] Various kolos are performed at social ceremonies. Often traditional clothing, which is unique to a region, is worn. The most common kolo is the narodno kolo or drmeš; a standard step followed by accordion music.
Nijemo kolo (pronounced [nijêːmo kôlo]) is a silent dance originating from the Dalmatian hinterland in southern Croatia. In 2011 it was inscribed on the UNESCO Intangible Cultural Heritage Lists .
The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
A traditional oro playing in North Macedonia. Hora, also known as horo and oro, is a type of circle dance traditionally performed in Southeast Europe.Circle dances called with similar names are found in Bulgaria, Greece, Moldova, North Macedonia, Romania, and culturally adopted by ethnic minorities such as the Ashkenazi Jews [1] (Yiddish: האָרע hore), Sephardic Jews (Ladino: הורו horo ...
The types of dances upon which Dvořák based his music include the furiant, the dumka, the polka, the sousedská, the skočná, the mazurka, the odzemek, the špacírka, the kolo and the polonaise. Most of the Slavonic Dances make use of Czech dance patterns with the exception of dumka (Ukrainian), kolo (Serbian) and odzemek (Slovak).