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Euler's Tonnetz. The Tonnetz originally appeared in Leonhard Euler's 1739 Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae.Euler's Tonnetz, pictured at left, shows the triadic relationships of the perfect fifth and the major third: at the top of the image is the note F, and to the left underneath is C (a perfect fifth above F), and to the right is A (a ...
Syntagma Musicum (1614-1620) is a musical treatise in three volumes by the German composer, organist, and music theorist Michael Praetorius. It was published in Wittenberg and Wolfenbüttel . It is one of the most commonly used research sources for seventeenth-century music theory and performance practice. [ 1 ]
The Scheitholt was played similarly to the modern zither. It was placed horizontally on a table or on the player's lap, the left hand pressed the strings with a wooden stick sometimes called a 'noter', while the thumb and index finger plucked the strings either directly, or with a horn or wooden plectrum, or with a goose quill.
Juan Bermudo mentioned having seen a 5 course guitarra but that 4 course instruments were normal. The quinterna that appears in the German Michael Praetorius treatise on musical instruments of 1618, Syntagma Musicum (Plate 16) - has pegs inserted sideways in the pegbox but the body is now a flat figure-of-8 shape. Like Bermudo, Praetorius also ...
The body of the lute guitar is similar to the rounded body of the traditional lute. Several ribs (or panels) of curved wood (usually maple or rosewood) make up the back of body, glued to a wooden frame underneath. These ribs are sometimes painted to resemble the traditional (or stereotypical) perception of a medieval minstrel or jester.
Klangfarbenmelodie (German for "sound-color melody") is a musical concept that treats timbre as a melodic element. Arnold Schoenberg originated the idea. It has become synonymous with the technique of fragmenting a melodic line between different timbres.
The State Institute for Music Research (German: Staatliches Institut für Musikforschung or SIMPK) is a musicological research facility in Berlin, Germany for the study of Musical Instruments, Music History, Music Theory and Music technology. It is an agency of the Prussian Cultural Heritage Foundation and operates the Berlin Musical Instrument ...